Grubbs said images of the artist’s vertical light works “seemed like soloists” to him. “But if they change slowly enough over time that people are compelled to explore them from all sides, then that’s sculpture.” “In our first meeting, explained that the rate of change of the ‘solid light’ pieces is important because, if they move too fast, people stay rooted to a spot-and then that’s cinema,” Grubbs explained in an interview with Art News. A performance of Four Simultaneous Soloists (Photo courtesy of Pioneer Works) To accompany McCall’s Solid Light Works, the artist has enlisted the help of a frequent collaborator, the composer and musician David Grubbs. McCall describes his works as “occupying a place somewhere between sculpture, cinema, and drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator cinema because these large-scale objects are not static, but structured to progressively shift and change over time and drawing, because the genesis of each installation is a two-dimensional line-drawing,” the release reads. After moving to New York in 1973, he created the first of his “solid-light works”-a 16mm film entitled, Line Describing a Cone, in which a “volumetric form composed of a beam of projected light slowly evolves in real, three-dimensional space,” according to the exhibition’s press release. Anthony McCall’s Solid Light Works installation on view at Pioneer Works (Photo: Pamela Wong/BKLYNER) Anthony McCall’s Solid Light Works installation on view at Pioneer Works (Photo: Pamela Wong/BKLYNER) Anthony McCall’s Solid Light Works installation on view at Pioneer Works (Photo: Pamela Wong/BKLYNER) Anthony McCall’s Solid Light Works installation on view at Pioneer Works (Photo: Pamela Wong/BKLYNER) Anthony McCall’s Solid Light Works installation on view at Pioneer Works (Photo: Pamela Wong/BKLYNER) Anthony McCall’s Solid Light Works installation on view at Pioneer Works (Photo: Pamela Wong/BKLYNER)īorn in England, McCall studied graphic design and photography at Ravensbourne College of Art and Design. The effects are ethereal, haunting, and otherworldly. Two separate galleries off to the side each display a horizontal piece, projecting a bright flash of light from a corner, sending vibrant rays across a darkened room, and emblazoning a wall with an intricate mark.Įach of the works gradually and subtly moves, evolving over time. Anthony McCall’s Solid Light Works on view at Pioneer Works (Photo courtesy of Pioneer Works)
Visitors first enter a large darkened room illuminated slightly by four beams of white light projected down from the ceiling, each creating a diaphanous, teepee-like form in the air and a solid pattern on the floor. Pioneer Works’ massive 130-foot main hall, completely blackened out and filled with haze, easily accommodates McCall’s four vertical and two horizontal works.
Mark and park lightworks series#
“We feel that having later hours will help to build an audience of working people who could integrate coming to Pioneer Works more easily into their lives,” Florenz added.Ĭreated between 2003 through 2010, the six monumental pieces on view require over 30 feet of clearance from floor to ceiling in order to be displayed, a prerequisite that makes it difficult for many venues to exhibit the artworks, let alone a series of six. Pioneer Works’ decision to extend their weekend hours was an immediate response to accommodate everybody excited to see Solid Light Works. This is the first time that Anthony has been able to present an installation of this scale within the United States and we are excited that so many people-from both New York and all over the world-are coming to Pioneer Works to experience these works in person.” “Over 1,000 people came to our space during the opening weekend. “Solid Light Works has been our most highly attended exhibition to date, which is unsurprising given the monumentality and historical importance of Anthony’s works,” Gabriel Florenz, Pioneer Works’ Founding Artistic Director, told BKLYNER. Due to the show’s popularity, Pioneer Works has extended its weekend hours for the duration of the exhibition. Solid Light Works has been drawing massive crowds to Pioneer Works since the exhibit opened on Friday, January 12. Installation view of Anthony McCall’s Solid Light Works at Pioneer Works (Photo courtesy of Pioneer Works) RED HOOK – New York-based artist Anthony McCall‘s current exhibition at Pioneer Works marks his first large-scale institutional show in NYC as well as the first time a group of his vertical and horizontal light installations has been shown together.
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